August 13, 2012

Production report

A spray paint handed hello.

Hello. Three o'clock already, sheesh.

Time is flying today because the hours are being enjoyed full well. Good sign. It has been a really good week for creative production. Hallelujah. After participating in the Rainbow Trout Music Festival bicycle rally on Saturday night, I lay in bed wide awake with strong brainwaves coursing through me. Ideas. It had been so long since I lay like that, the brain churning and churning. There was really no choice but to accept them with thanksgiving and regurgitate as fast as possible to the half asleep buddy guy beside me. He's a really good listener. In that hour or so I worked out a few projects that I have been chewing on for a while now. Here is a sample:

- Margot Pollo's Daytime/ Nighttime Portrait Studio: how? backdrop? stool? who cares? how much per? light meter? flash kit? signage? top hat? cape? should vanity matter in this context? No; but a top hat is a must. No props on sticks. Just me at the Kiev on a tripod under a black throw at the aforementioned upcoming Trout music festival with a measuring tape and a flash. Five dollar (or maybe ten if people take to the process) mail order portraits. New biz Ta-dA! This is how my mind works sometimes. CRAY-ZAY woman.

- What on earth to sell at the Maxi Crafts craft table that Lisa and I will also be manning at said festival?  Given by the last craft sale that Lisa and I participated in back in April 2012, new items of interest are imperative. No one wants old prints from 2009. Those should all be burnt. Please burn them. Time to buff up the inventory. So how does one go about making the rent A.) without the resources/ breaking the bank for fast duplication and B.) maintaining the integrity of (what I consider) fine art? Read: cut the cutsie craft crap. I want to sell art. But what is art? Are handmade rabbit dolls art? Not really. They take hours upon hours to cut, stuff and sew and yet people GUFFAW if they are priced over $25. Holy smokes! The weird thing is I feel better just giving them away then selling them for peanuts. Backwards.

- Stencils. Keep going. I love the process and the insane amount of hand-work involved, the heat from the overhead projector (that my sister just bought for me, hallelujah!!!!!!!!!!!!!) in the cool house, the hours spent at the lighttable in my bedroom carving away negative space on paper that just grows and grows. Todays stencil takes up the entire living room wall. Spray paint. Muslin. Pins. Exciting. This is my art and I am sticking with it.

If I wanted to be printing silk screen badly enough these days, I would be. Let it go, it's in there for life.  Large scale stencils challenge me in new and exciting ways so I am putting my energy into new projects these days. The main lesson is: Work to finish! The peel-away result is just too good to leave hanging. The yeild of one (stencil) versus 100 (silk screen) in the same block of time is a new adjustment, but I appreciate the one-off so much more than the churn-out. And that is amazing.

Back I go hi-ho to the carving station at the lighttable. Iced tea in the interim. The job-to-pay-the-rent shift picks up at six. Gotta hustle. Sula, Lisa and I catered a weird event last night with Uno Mas, a new catering venture under the guidance of Alejandro. It was a great experience. Even got myself a knife blister from hustling on the production line! I realized I hadn't worked hard in the kitchen in over a month. WEIRD. Felt good to be back, flying through piles of produce and churning out fancy food on sticks.

Baby's back.



August 7, 2012

Ski Pants for August Long


Peaches are it at the Maxi Pad. Nothing but peaches over here thanks to Sylvie King (Lisa's mother) who stocked our bellies and our fridge with leftovers from this past weekend at the lake. Lisa invited me up to her cottage at Beaconia Beach on Lake Winnipeg and the water was juuuust right. Icy cool dips morning, noon and night. Chunky dunks/ skinny dips. Austrian ski pants for extra fashion points. Drunken bicycle rides and a Magic Hour expedition, breakfast for two, aimless walking, sleeping in, shitty TV and all that. It was wonderful. Thank you Kings.

Here is a selection of photographs shot during our time there. 

August 2, 2012

Rusty's Room

Simple details charm the hell out of me. Same with white spaces. It is always the children's bedroom of interesting homes that win me over. Crystal has great taste.

Little elf in Rusty's room.
Mama and boy. Artwork by Rusty's dad, Donny.
The boy himself on a blanket his mother made for him.
Leather and felt mobile above the crib by Tony Chestnut.

August 1, 2012

Borealistic

August is in. Frightening how quick the season moves.

The personal photography drought has passed. Amen.

Rolls are rolling in. Even though I swore I would never bring another damn contrast roll in to have processed, the great lull got the best of me. One measly roll processed while ten others wait in agony for this old horse to get back into the basement darkroom.

What I received back today was a mixed bag of photos from three rolls of film shot over the course of May, mostly June and a little of July: 35mm contrast Tmax 100, 120 color Ekar 100 and one really whacky 35 color Kodak X-tra 400 roll from Craig (partially double exposed considering I snapped over what he had shot years ago). That was a mouthful. Does anyone care or take interest in film stock? I always appreciate when people name their film stock, so be it.

Posted here today are a few of my favorite photos from the Wenasaga planting contract. My cameras were stored in my kitchen trailer, just a quick arms reach away from the usual daily prep station activity. One afternoon while Emily and I were making five million burgers for dinner, I noticed a strange looking man fly out of the treeline and beeline for our cook shack. I would be lying if I said the question am I going to be murdered today? didn't cross my mind. A quick kitchen scan for weapons: long handled axe, machete, cleaver. Good. The guy turned out to be a half crazed mining staker; a job that revolves around trolling through the bush (solitary mission) with a GPS in hand, a backpack full of stakes, an axe and flagging tape for staking out future mining sights. Not knowing what else to do, I invited the man in. Benoit was his name, a french man from Northern Quebec who preferred to live in Mexico in his off-season.

Thankfully there was a fresh pot of soup on the go and he was hungry. Fresh cookies and beer to boot, with no murders to be had. In thanks Benoit sharpened my long handled axe. Then he split pile of wood (show off) and got on his merry way.

I enjoy photos that offer full narratives the most. Keeping that in mind while I shoot, this was as close as he would let me in. Benoit was a real character. My attempt to parle en francais with him was pitiful. Thank goodness the soup was good.

Here are some photos with character.

Benoit sharpens my axe with a file.
Tree Camp comes to a close.
Markell and his girl Kita.
BFF's all the way from Montreal, Larry Legend and Guillaume. 
Rolling Ripper about to depart from the Maxi Pad.
View from the Earfalls beach. Powerlines!
Contrast nature--never quite the same as living color.
Photo. Lisa King; taking one last dip in the Earfalls lake.
Sitting quiet so as not to forget.

Fruit of Juillet